Another Oscar night is in the books and I had an okay year - In the end it was Doug: 16, Oscar: 4. That's 80%, which isn't my best, but is still pretty good. Here's how it turned out. My correct picks are bold:
Best Picture: Spotlight Best Director: Alejandro Gonzalez Inarritu Best Actor: Leonardo DiCaprio Best Actress: Brie Larson Best Supporting Actor: Mark Rylance Best Supporting Actress: Alicia Vikander Best Original Screenplay: Spotlight Best Adapted Screenplay: The Big Short Best Film Editing: Mad Max: Fury Road Best Cinematography: The Revenant Best Score: The Hateful Eight Best Song: "Writing On the Wall" Best Art Direction: Mad Max: Fury Road Best Costumes: Mad Max: Fury Road Best Makeup: Mad Max: Fury Road Best Visual Effects: Ex Machina Best Sound: Mad Max: Fury Road Best Sound Effects Editing: Mad Max: Fury Road Best Animated Feature: Inside Out Best Documentary Feature: Amy With The Revenant getting the most nominations and Mad Max close behind, I figured one of the two would get Best Picture, but didn't account for the power of a strong ensemble cast getting a sizable push from the large actors' wing of the Academy. Supporting Actor, Best Song and Visual Effects were just old-fashioned surprises. Still, I'm pleased that Mad Max went home with the most awards of the night. The final score was Spotlight: 2, The Revenant: 3, Mad Max: 6, everyone else: 1. I'm also thrilled for the great Ennio Morricone, who won his first competitive Oscar after 50 years of writing film scores. And it was exciting to see him get a standing ovation. I enjoyed the show overall and thought that Chris Rock did a fantastic job hosting. Sure, there were moments that dragged and the pacing was a bit off and they did nothing to rectify the snubs in last year's In Memoriam (Joan Rivers, Jan Hooks, Taylor Negron), but it was a good broadcast. I won't go into opinions about fashion because there are so many others here on the interwebs who do such a better job than I ever could. Better luck next year! Now back to our regular programming about orchestra music...
It's Oscar weekend, my favorite holiday of the year! And for once, my favorite movie of the year (Mad Max: Fury Road) is nominated in a bunch of categories, including Best Picture. Mad Max may, in fact, be my favorite movie of the past five years or so. Perhaps the past decade. It is amazing on all levels and if I had my way, it would win all the Oscars including Best Picture and a write-in Best Actress for Charlize Theron.
But there's a big gap between what I want to win and what I think will win. Here are my best guesses as to how the hardware will be distributed:
Best Picture: The Revenant
Best Director: Alejandro Gonzalez Inarritu Best Actor: Leonardo DiCaprio Best Actress: Brie Larson
Best Supporting Actor: Sylvester Stallone Best Supporting Actress: Alicia Vikander Best Original Screenplay: Spotlight Best Adapted Screenplay: The Big Short
Best Film Editing: Mad Max: Fury Road Best Cinematography: The Revenant
Best Score: The Hateful Eight Best Song: "Til It Happens to You" from The Hunting Ground
Best Art Direction: Mad Max: Fury Road
Best Costumes: Mad Max: Fury Road
Best Makeup: Mad Max: Fury Road
Best Visual Effects: Star Wars: The Force Awakens
Best Sound: Mad Max: Fury Road Best Sound Effects Editing: Mad Max: Fury Road
Best Animated Feature: Inside Out
Best Documentary Feature: Amy
You'll notice that while I'm picking The Revenant for Best Picture, I'm picking Mad Max to take home the most Oscars. Mad Max was, objectively, the best looking, best sounding movie of the year. I'll be thrilled if it wins more, but I predict it will take at least six Oscars.
There was a lot of buzz for Spotlight and The Big Short in the Best Picture race, but I think The Revenant will take it in the end and the others will take the screenplay awards. Also, it looks like Inarritu is poised to become the third person in Oscar history to win back to back directing Oscars. The lead acting categories are locks and Vikander is a strong favorite for Supporting Actress, but Stallone is in a tough race. His win (for a role he's played in seven movies) could be seen as a defacto lifetime achievement award, but many may feel that that's a lifetime of bad action movies and cast their votes elsewhere.
The category I'm most anticipating is Best Score, where the legendary Ennio Morricone is poised to win his first competitive Oscar in a lifetime of creating memorable music. This will be the best-deserved Oscar of the night and I'll be very bitter if he doesn't receive a standing ovation. In other music news, I predict that Lady Gaga will be halfway to an EGOT by the end of the ceremony.
As usual, I don't pick the short films and this year I'm not comfortable taking a guess in the Foreign Language category. I will take a shot at Animated Feature (Pixar is usually a safe bet) and Documentary Feature.
The Oscars are on Sunday night on ABC with Chris Rock hosting - it should be a good time. I'll post the winners and my correct picks.
Winter concert season is just about done for the year, so let's put together a YouTube concert of recent performances! First up is the Wydown Chamber Orchestra, directed by Dr. Jan Davis of Clayton, MO performing Iroquois Journey.
Man, those kids can play! I love the tempo and their articulations are so precise. Best of all, they bring an energy and passion to the piece that pushes the performance over the top. Check out how the 1st chair violin is getting into it! Nicely done.
Next we have the MNPS Honors Orchestra performing Las Mariposas Exoticas. They don't start playing until 0:25.
It's just slightly too fast, but the group has a good sense of the style and delicacy required for the piece. Also, it's always nice to hear the optional percussion used. Way to go!
Up next is the SLJH Chamber Orchestra performing Agincourt.
This group has an excellent sense of dynamics and made the transitions and changes in energy feel seamless. They also have a good balance and intonation and kept up with the tempo beautifully. Great job!
Finally, Gauntlet, performed by the Mineola High School 8th Grade Orchestra, directed by Sarah Ramsingh.
There are a few little problems here, but I like the transitions between the fast section and the middle section and back again. I also like that they played what's written in measure three. A good performance - Nice job!
Sorry, Cellos and Basses, it looks like there aren't videos in this series for you just yet. But thanks to this wonderful teacher - I hope your students, their parents and the school administration appreciate your efforts!
Edited: Cello and Bass videos have appeared on YouTube! Enjoy!