The listings for foreign sales are shrouded in mystery. Though I've heard of a few performances in Austrailia, have found an online German sheet music vendor that sells my music, and got word of a performance in Canada, I'm not exactly sure who it is outside the U.S. that's buying my music. I would hope that it would sell in Japan, home of the Suzuki Method, and in Europe. From what I understand, other countries don't have school music programs analagous to ours and wouldn't need school-level string orchestra music. Here are my top-selling sets of scores and parts in foreign markets:
1. Agincourt & Mambo Incognito (tie)
3. Hot Potato
5. Violet's Tango
As you can see, there's a marked difference from the top five sellers in the U.S. I should note, though, that foreign sales make up a tiny fraction of a percentage of my total sales. Also, the printout that I received shows that several of these pieces sold at different rates - probably in euros, Canadian and Austrialian dollars, and yen.
Last year I got a sheet showing sales of digital downloads from alfred-music.com. This year, there's no record of sales of MP3 files - maybe bacuase they're so few that it will be rolled into next year's statement.
Finally, I did get a notice about liscensing. When orchestras record their concerts, they're supposed to get permission from the publisher and pay a small licensing fee. A few honest souls actually did that this year and I thank them. Liscensing also includes a few listings from "Make Music," a program where directors can access notes from the composer with tips on how to rehearse and perform their music more effectively. I wrote a few of these two years ago and think that I might want to do some more in the future.