I'm feeling really good about this new piece I'm working on! I'm also feeling very proud of myself for writing a Grade 1.5 piece that only uses the first finger pattern on the G, D, and A strings (and a little E-string for the basses) and successfully negotiates three key changes. It starts in B minor, transitions to E minor, over to G major, and back to B minor.
On top of that, it gives teachers the option to feature outstanding students with solos in each section. As I mentioned in an earlier post, the piece is a modern take on Vivaldi's style and takes the form of a rondo, so there's a recurring main theme with optional solos bridging the sections.
And to add to the excitement, I've already come up with the title: "Shadows of Venice." This is a nod to Vivaldi's stylistic influence as well as the back-and-forth style of the solo sections.
I hope to finish the main writing tonight and put the finishing touches on this weekend. Then I'll be ready to jet off on my Florida vacation!
Thursday, November 5, 2009
Monday, October 19, 2009
Beating the Block
I've noticed a pattern to my creative output over the past few years: I tend to be very productive in the spring and summer months and then suffer terrible writer's block in the autumn. It's not a lack of ideas - I have a bunch of concepts and styles that I'd like to try - but whenever I sit at my computer to get to work, nothing comes out right. I usually take this opportunity to take a short break and focus on something else, like an art project, a new recipe, or some other endeavor, to get my mind away from writing music. If possible, I like to take a vacation out of town or just listen to music I've never heard before. This way, I can come back with a fresh, renewed perspective.
So in September and October I've worked on a few art projects and recipes and have planned a trip to Ft. Lauderdale, Florida in early November. I've also been plugging away at writing and have amassed pages and pages of sketches, slowly developing a few ideas into a new piece. It will be a pseudo-Baroque piece in E minor that features G-string notes and a little bit of bariolage. It should be a fun challenge for beginners. It's coming along slowly, but I like the direction it's headed.
So in September and October I've worked on a few art projects and recipes and have planned a trip to Ft. Lauderdale, Florida in early November. I've also been plugging away at writing and have amassed pages and pages of sketches, slowly developing a few ideas into a new piece. It will be a pseudo-Baroque piece in E minor that features G-string notes and a little bit of bariolage. It should be a fun challenge for beginners. It's coming along slowly, but I like the direction it's headed.
Labels:
Fort Lauderdale,
music composition,
writer's block
Thursday, October 8, 2009
New Videos
It's been a while since I've updated the ol' blog! I found a couple of new YouTube videos that I can share. First up is a nice performance of "A Breeze In The Keys" by the Evergreen Orchestra. They do a great job with the syncopation.
The second video is not really a video. It's a recording of "Las Mariposas Exoticas" accompanied by an odd little collage. The style and the use of dynamics are really spectacular in this recording, the intonation is beautiful, and the tempo is rock-steady. I'm not sure who the group is or where they're from, but bravi to them and hats off to their director!
Labels:
A Breeze In the Keys,
Las Mariposas Exoticas,
music,
videos
Friday, September 25, 2009
Got my Proofs!
Alfred is really running ahead of schedule! I got my proofs for Sneaking Suspicion about two weeks ago and Storm Trail and Star of Valor yesterday. Usually, they don't arrive until mid-October.
Bob Phillips, my String Editor did a really great job with them. He made excellent suggestions about articulation, bowings, and caught a few note errors on the scores I had submitted. Other things arose that I think were good suggestions. For example, I tend to favor tied notation and Bob recommended using dotted notes instead. He also found places for courtesy accidentals, bow lifts, and reminders in the violin and viola parts to use 4th fingers. All good suggestions which should make the music more playable.
My corrections to the proofs were minimal and I can't wait to see the finished product!
Bob Phillips, my String Editor did a really great job with them. He made excellent suggestions about articulation, bowings, and caught a few note errors on the scores I had submitted. Other things arose that I think were good suggestions. For example, I tend to favor tied notation and Bob recommended using dotted notes instead. He also found places for courtesy accidentals, bow lifts, and reminders in the violin and viola parts to use 4th fingers. All good suggestions which should make the music more playable.
My corrections to the proofs were minimal and I can't wait to see the finished product!
Tuesday, September 15, 2009
Got My Contracts
We've reached the next step in the publication process - after writing the music, sending it in, getting it accepted for publication, Alfred sends me a contract addendum. The original contract (which I got over 10 years ago) outlines my rights as composer and details how I will be compensated for my work. Each year I receive an addendum to that contract, which adds the new selections to the list, thus allowing me to receive compensation.
Up next in the process: proofs!
Up next in the process: proofs!
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