Winter YouTube Concert

Winter concert season is just about done for the year, so let's put together a YouTube concert of recent performances!  First up is the Wydown Chamber Orchestra, directed by Dr. Jan Davis of Clayton, MO performing Iroquois Journey.

Man, those kids can play! I love the tempo and their articulations are so precise. Best of all, they bring an energy and passion to the piece that pushes the performance over the top. Check out how the 1st chair violin is getting into it! Nicely done.

Next we have the MNPS Honors Orchestra performing Las Mariposas Exoticas. They don't start playing until 0:25.

It's just slightly too fast, but the group has a good sense of the style and delicacy required for the piece. Also, it's always nice to hear the optional percussion used. Way to go!

Up next is the SLJH Chamber Orchestra performing Agincourt.

This group has an excellent sense of dynamics and made the transitions and changes in energy feel seamless. They also have a good balance and intonation and kept up with the tempo beautifully. Great job!

Finally, Gauntlet, performed by the Mineola High School 8th Grade Orchestra, directed by Sarah Ramsingh.

There are a few little problems here, but I like the transitions between the fast section and the middle section and back again. I also like that they played what's written in measure three. A good performance - Nice job!

 

Sales Statement 2013

I got my annual sales report from Alfred Publishing recently, in which they compile and break down sales of all my music for the year, from April through March, 2013. Unfortunately, sales were down a little bit from last year and the report showed some interesting trends.  Here are my top domestic sales of scores and parts in 2013:

1. Maharaja
2. Avatar
3. Gargoyles
4. Gauntlet
5. Agincourt

Avatar has been the top seller for the past few years and was unseated by Maharaja. I'm still surprised at the popularity of Maharaja but that piece was all over YouTube this year. Gargoyles edged ahead of Gauntlet for the first time in a while - both are usually in the top five and are very close, but Gauntlet is normally slightly more popular. In truth, Gargoyles sold one more copy than Gauntlet this year.

It's important to note that this report predates the release of Dragonfly and Across the Wind, my newest pieces. That means that the newest pieces on this report are Harrowland, which would have come in 7th, and Beale Street Strut, which would have come in a distant 8th.

Foreign sales are a different story. Sales abroad are usually much lower, because the system of music education is different outside the U.S. and many countries don't have group music instruction in schools. Here are the top five sellers of scores and parts outside the U.S.:

1. Harrowland
2. Beale Street Strut
3. Samba Del Sol
4. Sneaking Suspicion
5. Avatar, Gargoyles, Gauntlet, Maharaja, Porcupine Pantomime

A complete inverse of the Domestic Sales list! And a five-way tie for 5th place! I honestly don't know what to make of this, other than deducing that foreign orchestras gravitate toward the newer titles. Also, there are more minor-key pieces on the Foreign Sales list than usual. Usually, this list is full of major-key tunes.

Finally, I'll include a list of the top five selling scores. This is important because orchestras buy extra scores for the judges when they take a piece to contest. And when a piece is included on contest lists, that speaks to its long-term popularity and quality.

1. Gauntlet
2. Avatar, Gargoyles
4. Las Mariposas Exoticas
5. Agincourt

Gauntlet is the runaway winner in this race, selling more than Avatar and Gargoyles combined. All are popular, time-tested pieces (Agincourt being the newest), which makes sense on this list. I'd be shocked if something from the last three years showed up here, but I expect that Maharaja will work its way up this list in a few years.

I'd also like to give a shout-out to the handful of honest folks who went through the proper channels and paid licensing fees to copy, record, and re-arrange my music.

So sales were down in general, but I got some good data from the report. Hopefully, things will turn around next year with five new pieces in the works. Look for March of the Wood Elves, Winstride, Zuma Breakers, Pioneer Sky, and Woodpecker Cha Cha later this year. Also, my next report should include Dragonfly and Across the Wind, which I suspect will make a major impact.

Sales Statement 2012

Every year, the good people at Alfred Publishing send me a report showing how many of each of my pieces have been sold in the past 12 months. It's always exciting to get that kind of quantifiable feedback. When I first started getting them, they were much simpler, but since the advent of digital printing and different combinations of scores and parts became available for sale, the sales reports have become a lot more complicated. So, filtering through the many lines of data, here are my top-selling sets of scores and parts within the U.S. for 2012:

1. Maharaja
2. North Pole Workshop
3. Avatar
4. Gauntlet
5. Agincourt

I submitted Maharaja with little hope of it ever getting published and was shocked that it was accepted. I just thought it was too odd or too technically demanding to be taken seriously. A year later, looking around YouTube, I was shocked to discover that it's popular. And now I'm shocked to learn exactly how popular - nearly twice the sales of my next-best-selling piece! New pieces for tend to make a big splash in their first year, but Maharaja goes beyond expectations.

Gauntlet always makes the top 5 list and I'm excited to see that it remains popular. North Pole Workshop was also a new piece this year and it's great to see that it did so well.  Avatar was the top-seller for the past two years and I credited that to people mistaking it for the theme to James Cameron's movie, but it still has a strong showing, so I think it's safe to start attributing success on its own terms. Agincourt is one of my personal favorites, so I'm thrilled that it remains popular. Gargoyles usually makes the top five list but this year it was edged out by just one sale. Another newer piece, Shadows of Venice, would have taken the #7 spot.

Looking at the data for foreign sales of scores and parts is a different story:

1. Maharaja & Shadows of Venice (tie)
3. Agincourt & Sneaking Suspicion (tie)
5. Mambo Incognito & Star of Valor (tie)

There's a different system for music education abroad, which often doesn't involve classroom music ensembles, so foreign sales are far lower than in the U.S. But still, this year's numbers show an increased interest in some of the newer selections. If I was shocked to see that Maharaja is popular among American orchestras, I'm floored to learn that it's popular in other parts of the world. Major-key novelty pieces tend to dominate this list, but it's wonderful to see music like Agincourt and Shadows of Venice catching on.

Here's one more list - domestic sales of scores:

1. Gauntlet
2. Gargoyles
3. Avatar
4. Agincourt
5. Las Mariposas Exoticas

This list is important because orchestras need to buy extra scores to give the judges when they go to state Solo & Ensemble contests and high sales mean a piece is popular at contests. It takes several years for a piece to build enough credibility to be included on contest lists, so big sellers here are usually older pieces, but it's good to see Agincourt surging ahead.

There are a lot more ways to break down the data - digital scores and parts, print licensing, MP3 downloads – but that's enough for now. If you bought one of my pieces in 2012 (in any format) I want to thank you for a great year!

Gauntlet, Zydeco Two-Step, Las Mariposas Exoticas

How about a little online concert?  Let's kick things off with Gauntlet, performed by the McMath 8th Grade Orchestra of Denton, Texas.

This might be one of the best performances of Gauntlet I've ever heard. Here's why:

1. The tempo is perfect.
2. The expression is really great (especially in the "hard part": mm. 56 to 80)
3. Fantastic intonation and rhythmic precision.
4. The articulations are dead-on perfect. Listen to how short those staccato notes are. They're so dry they're practically a fire hazard. You could go out and get a bite to eat between each of those notes.

Up next is the 2012 Middle School Honors Orchestra (there's no indication of what district or city, but I've been able to narrow it to the state of Georgia) performing Zydeco Two-Step (they start playing at 1:00).

Nice job!  It's a little faster than I'm used to hearing it, but it was handled nicely and the increased tempo adds a rollicking feel to the piece.  Also, nice use of dynamics. Everyone looks like they had a good time playing this one.

Finally, here's the Cooper Middle School Orchestra (possibly of McLean, Virginia?) performing Las Mariposas Exoticas.

Delightful!  They did a good job of making it sound delicate and light.  The key to this piece is to make the arco articulations match the sound of the pizzicato and this group did a great job, especially at the ends of phrases.

Well done, all!

Sales Statement 2011 (Part 2)

As I mentioned in Part 1, my foreign sales make up just a tiny percentage of my annual total. But it's still interesting to see what sells. Here are my top five foreign sales of scores with parts in 2011:

1. Sneaking Suspicion
2. Gargoyles & Star of Valor (tie)
3. Quicksilver
4. Avatar, Gauntlet, Hot Potato, Porcupine Pantomime (all tied)
5. Lemon Twist and Storm Trail (tie)

The new ones are popular and some of the old favorites made the list, but a lot of these entries are surprises. Sneaking Suspicion seems to be a breakaway hit overseas.

Alfred Publishing also sells scores alone, without the parts. You'd need extra scores to give the judges at contests, so the best-sellers on this list are the ones that are popular at contest season:

1. Gautlet
2. Gargoyles
3. Avatar
4. Las Mariposas Exoticas
5. Crusader

No surprises here. Except maybe for Mariposas - I suppose that explains its resurgence in the score-and-parts list.

Again, if you bought anything of mine in the past year, thanks very much!

Sales Statement 2011 (Part 1)

I got my annual sales statement from Alfred Publishing recently! When I first started getting these, they were listings of how many copies each piece of published music was sold that year and, while that's the same basic principle for current statements, there are major changes from those early days. Now, each piece of music is available in multiple forms: Score and parts, score alone, parts alone, digital parts downloaded through SmartMusic, digital score downloaded through SmartMusic, print licensing, mechanical licensing, and photocopy licensing.  Then all of those are divided into domestic sales (inside the U.S.) and foreign sales (everywhere else), meaning that each of my published works has a potential for 16 revenue streams.

To be honest, though, each of those revenue streams accounts for very little on its own. My foreign sales are a fraction of a fraction of my domestic sales and only one honest director paid Alfred after making photocopies like he's supposed to do. But those few dollars here and there accumulate and, added to sales of scores and parts (which make up the bulk of the sales), they added up to a significant increase in overall sales from last year.  So if you bought something of mine this year, thank you!

Now comes the fun part: discovering which were my best sellers of the year.  Here are my top five best selling folios of scores and parts (domestic sales):

1. Avatar
2. Gauntlet & Sneaking Suspicion (tie)
3. Gargoyles
4. Las Mariposas Exoticas
5. Agincourt

Avatar was last year's number-one seller as well and I credited that to people mistaking my piece for the soundtrack to James Cameron's 2009 movie. I suppose this either means that people haven't caught on yet or they really like my piece.  Gauntlet and Gargoyles always seem to make the top five and Sneaking Suspicion did well, mostly because it's brand new.  Star of Valor and Storm Trail were also new and had respectable numbers, but didn't crack the top five. Agincourt stays strong, but this year's surprise is the resurgence of Mariposas. It's an older piece that usually stays in the middle of the pack, but has rallied for some reason this year.

Overall, it was a good year! I'll have more information and top five lists in a later post.

YouTube Concert

I thought I'd assemble a little YouTube concert from some recent videos of my music. Up first is the Crews Middle School 7th Grade orchestra playing Lemon Twist:

Nice job!  Very precise playing, a good laid-back tempo, and I like those sharp uniforms! Up next is the String Orchestra of the Community Music School at Webster University in St. Louis playing A Postcard From Tuscany.

A good sense of style on this one and it's good to see young players take their time with a more lyrical piece.  Next is the Monarch 7th and 8th Grade Orchestra, appropriately playing Las Mariposas Exoticas:

This is one of those pieces with interlocking parts, where the whole orchestra works as one and I think they did a pretty good job of keeping it together.  They also did a nice job giving the piece the "lightness" it requires.  Let's finish with a classic.  Here's the Wilson Middle School Orchestra playing Gauntlet:

Nicely done!  Bravi to all the orchestras!

New Videos

Well, Oscar Season is over and I can re-focus this blog on music.  Before I tell you about some of the thing I've been up to in the past six weeks, here are some new videos.

First up is a performance of Mambo Incognito in Plano, Texas:

Now, I've seen and have participated in plenty of concerts in school gyms.  It's just a fact of school scheduling and resources and, to be honest, the acoustics are often more flattering than in auditoriums.  I have not, however, seen an audience in the bleachers and the orchestras filling the floor.  Look at all those orchestra students!  Looks like those teachers are doing something right.  The performance is really good too.  Great job, kids!

Up next is Gauntlet, performed at Hanahan High school for an unnamed All-County concert.

Excellent tempo.  As I've written before, one of the biggest problems I hear with Gauntlet is the tempo.  It requires a fast tempo, but faster is not better.  Take note - this is how it should be done.  I don't know who the conductor is here, but she got it just right.  Also, great style on the middle section.  Way to go!

Next is a performance of Elementals as a quintet performed by the Naomi Hasan violin studio in Madison, WI.

Orchestras and classes come in all sizes, so it's not uncommon to hear the same piece played by a band of sixty or a chamber ensemble.  Admittedly, some pieces work better than others when reduced down and I think Elementals is one of them (though a bass added to the mix wouldn't have hurt).  This appears to be a group of adult students and I think that, for the most part, they did a fine job.  I don't mean to sound disparaging, but the 'cello was off.  I'll give him the benefit of the doubt - maybe his pegs got knocked out of tune before going on stage or he was sight reading (I've done some sight reading in performances before).

Finally, let's hear Las Mariposas Exoticas, performed by the Lanier Middle School Philharmonia:

Fantastic.  The orchestra did such a great job here and I'd like to point out the excellent use of the harp.  There's no harp part in the original version and the part they came up with was very tasteful. I love the harp and wish I could write more for them, but harps in school ensembles are rare and it's not cost-effective to write for them most of the time.  And in my experience, harpists can't stand playing piano parts - they're such idiomatically different instruments that it's hard to play one on the other.

New Videos

It's been a while since I've updated the ol' blog!  I found a couple of new YouTube videos that I can share.  First up is a nice performance of "A Breeze In The Keys" by the Evergreen Orchestra.  They do a great job with the syncopation.

The second video is not really a video.  It's a recording of "Las Mariposas Exoticas" accompanied by an odd little collage.  The style and the use of dynamics are really spectacular in this recording, the intonation is beautiful, and the tempo is rock-steady.  I'm not sure who the group is or where they're from, but bravi to them and hats off to their director!