Winter YouTube Concert

Winter concert season is just about done for the year, so let's put together a YouTube concert of recent performances!  First up is the Wydown Chamber Orchestra, directed by Dr. Jan Davis of Clayton, MO performing Iroquois Journey.

Man, those kids can play! I love the tempo and their articulations are so precise. Best of all, they bring an energy and passion to the piece that pushes the performance over the top. Check out how the 1st chair violin is getting into it! Nicely done.

Next we have the MNPS Honors Orchestra performing Las Mariposas Exoticas. They don't start playing until 0:25.

It's just slightly too fast, but the group has a good sense of the style and delicacy required for the piece. Also, it's always nice to hear the optional percussion used. Way to go!

Up next is the SLJH Chamber Orchestra performing Agincourt.

This group has an excellent sense of dynamics and made the transitions and changes in energy feel seamless. They also have a good balance and intonation and kept up with the tempo beautifully. Great job!

Finally, Gauntlet, performed by the Mineola High School 8th Grade Orchestra, directed by Sarah Ramsingh.

There are a few little problems here, but I like the transitions between the fast section and the middle section and back again. I also like that they played what's written in measure three. A good performance - Nice job!

 

Online Concert Winter 2014

A quick announcement first: I'll be giving a presentation at the Indiana Music Educators Association conference in Ft. Wayne on January 16th, 2015. I'm going to lead an open rehearsal of three of my pieces - Avatar, Winstride and Gauntlet. Bring your scores to follow along, think of questions to ask me afterwards and listen to me show a talented group of young musicians how I like to hear my music performed!


On with the main event: Halloween concerts are done and it's Holiday concert time here in the States - and that means a bunch of new concert videos have popped up on YouTube. Let's have a look at a few of the really good ones:

Up first is the Vivace Advanced Orchestra killing it with Pioneer Sky at the Central Indiana All-Region middle School Orchestra Festival. They perform some nice dynamics and give the piece the right energy - bristling accents in the ostinatos, soulful legato in the lyrical parts. Nice job!

Next, the Mansfield Youth Strings of Mansfield, Ohio open their concert with North Pole Workshop, complete with percussion parts!  Fantastic tempo, nice precise playing and good style. I hope this one catches on. Great job, MYS!

Up next, Angie Cimbalo leads the Region 24 Sinfonia Orchestra at the Middle School Texas Music Educators Association All-Region Concert with a furious performance of Dragonfly. This is a piece that requires intense focus and these young musicians are right up to the task all the way through the end, never letting up. An arranger did a really great job with the harp parts as well - writing for harp is one of my favorite things to do but I seldom do it because so few school orchestras have harp players. But it really works well in this setting and it makes me wish I'd written that part myself. It's a fantastic performance.

Finally, the Olentangy Orange Middle School 7th Grade Orchestra performs Gauntlet. It's a good performance made all the more special by some awesome rock star stage lighting. Excellent tempo, nice expression, and they stick the landing beautifully. Nicely done!

Sales Statement 2014

The good folks at Alfred Publishing got a jump start on their end-of-year schedule and surprised me this week with my 2014 sales statements! Every year, they send me a list how many pieces of music I sold in different formats (score and parts, score alone, parts alone, digital downloads, MakeMusic files, etc.) And every year I sort through it and see which are my top sellers of the year. So here are my top five folios of scores and parts from April 2013 through March 2014 (domestic):

1. Dragonfly
2. Across the Wind
3. Gauntlet
4. Gargoyles
5. Avatar

Nice! The two newest pieces came out on top, followed by my two all-time classics. Gauntlet and Gargoyles have consistently been in the top five since they were first released nearly 15 years ago. I'm happy to see so much enthusiasm for Dragonfly and Across the Wind as well!  Avatar dropped a little this year, but, shockingly, it remains in the top five - most likely bolstered by people who mistake it for the theme to James Cameron's movie (for the record, my piece was published four years before his movie came out). In my opinion, Cameron can't release Avatar 2 fast enough.

That was sales inside the US - now for the top-selling scores and parts in foreign markets:

1. Dragonfly
2. Gargoyles
3. Beale Street Strut
4. Samba del Sol
5. Across the Wind & Avatar (tie)

Interesting!  I can't remember when there's been this much crossover between the two lists. Usually the top foreign sellers are a completely different set of titles, but there are four names in common this year! I'm most surprised to see Beale Street Strut on this list - it's a jazzy piece and I just figured it would be too American to appeal outside our borders.

Here's the list of top-selling scores:

1. Gauntlet
2. Gargoyles
3. Avatar
4. Las Mariposas Exoticas
5. Agincourt

Teachers buy extra scores for the judges when they take their orchestras to contest and all of these pieces are popular contest pieces. I'm most happy that Agincourt getting on more and more lists.

Finally, something relatively new on the sales report is a list of print licensing and mechanical fees. When a group records a piece of music or makes photocopies for extra parts, they're supposed to notify the publisher. So thank you to all the honest directors out there who did what they're supposed to do.

This list also includes the number of digital downloads, so I'd like to remind everyone that you can listen to and download fantastic professional recordings of my works at alfred-music.com.

 

New Music from Wingert-Jones

I got some great news recently – in addition to my three new compositions getting published by Alfred Publishing next year, two more pieces (Pioneer Sky and Woodpecker Cha Cha) will be published next year by Wingert-Jones Publishing! Here's the story of how this came about:

I've been working with Alfred Publishing for nearly 15 years now and they've included one to three of my compositions in their String Orchestra catalog every year. All the while, my editors have reminded me that we don't have an exclusive contract and that it's not uncommon for composers to get deals with several different publishers. So every once in a while I sent a portfolio of music to Kjos, Carl Fisher, or Hal Leonard and always received a nice rejection letter explaining that they're not looking to expand their stable of composers. Even when I introduced myself as the composer of Gauntlet and mentioned the enormous success that Alfred was enjoying with my publications, they still weren't impressed enough to accept my submissions.  Eventually, I got bored with the rejection and stopped trying to get their attention. Alfred has been more than happy to work with me and I'm happy to work with them.

Then, out of the blue this past summer, I got an e-mail from the String Editor at Wingert-Jones, a small but well-established music publisher looking to expand its String Orchestra catalog. He knew me by reputation and invited me to submit some music for their 2014 catalog, which I did. This week, he wrote back to tell me that two of the five pieces I sent have been selected for publication!

I normally send Alfred Publishing about nine pieces of various levels and styles each year and they take two or three of those. That means that about 70% of the music I write goes unpublished. When they pass over a piece of music, it's often not that they don't like it, it's because it doesn't fit their needs at the moment. Maybe they found another piece with a similar style or one that covers the same playing technique or they need more beginner-level pieces to create a well-rounded catalog. I've re-submitted music to Alfred and occasionally the timing is better on the second pass.

Alfred has been great to me over the years and I'll always give them the first (and sometimes second) opportunity to publish any String Orchestra music I write. But now, with Wingert-Jones, I have an additional outlet for some of the great music that was previously shelved.

So I hope you look for my two new pieces next year from Wingert-Jones as well as my three new pieces from Alfred! It should be an exciting time!

 

New Music Selected for 2014

I'm thrilled to announce that Alfred Publishing has picked up three of my pieces for their 2014 String Orchestra catalog! Back in March I sent them nine selections of varying styles and ability levels and they took all of the beginner pieces. Here's what to look forward to:

March of the Wood Elves starts with a minor-key pizzicato pulse and a sly melody, builds in intensity, and then quietly marches off into the distance. I think the influence of Shostakovich's Leningrad Symphony is pretty apparent in this one.

Winstride is a sunny, vibrant piece with a bit of a rock feel. Easy syncopations and simple, sparkling 8th note accompaniments give way to a contrasting minor key middle section before returning to the main themes and an exciting conclusion.

Zuma Breakers pays tribute to classic surf rock artists of the 1960's like Dick Dale, The Ventures, and Jan & Dean. It's a fast-paced zip down the beach with a focus on the second finger pattern and G-string notes. This one includes an optional drum kit part for extra rock & roll flair.


I'm excited about these three selections and I'll be sure to update their progress here on the blog when they go through the editing, recording, and publication phases.
 

YouTube Concert

It's time for another online concert! Let's start with a performance of Maharaja by the Marshall Philharmonic Orchestra of George C. Marshall High School in Falls Church, Virginia,

These guys get it. The tempo isn't too fast, leaving lots of room for expression and the stylistic nuances of their performance are excellent. Maharaja is a character piece and this group was able to see beyond the notes on the page to really bring the character to life. Bravi.

Up next is a performance of Star of Valor. I'm not sure which group this is, but it looks like it was performed at Oscar Smith High School in Chesapeake, Virginia.

Nice job! Star of Valor is like an emotional roller coaster and this group does a good job of navigating the turns. Lots of good stuff happening in Virginia.

Our final selection is Gargoyles, performed by the Concierto Solidario of the Conservatorio Superior de Música in Córdoba, Spain, led by D. Gabriel Arellano.

I can see that there's a lot of passion in this performance but, to be honest, this isn't the greatest rendition of Gargoyles I've ever heard. It's rather heavy-sounding and there's not a lot of dynamic contrast. So why am I featuring this video? Because it was made in Córdoba, Spain. In Andalusia.

BOOM!

INTERNATIONALLY FAMOUS COMPOSER!

 

The Avatar Debate

A friend of mine who teaches middle school orchestra recently asked me to settle a debate he'd been having with his class over my piece Avatar. The argument centers on the very last measure, which looks like this:

His 'cellos and basses prefer playing all of beat 2 as a three-note slur, rather than slurring just the 16th notes and playing the upbeat as an upbow, as written. So my friend, the orchestra teacher, turned to me to judge the case. Here's my response:

The reason it's a two-note slur instead of a three-note slur is:

1. That same rhythmic figure appears a two-note slur throughout the entire piece (practically every odd-numbered measure) so playing it that way at 59 keeps things consistent. It's an essential part of the piece's DNA. Changing it on the last rhythm of the final measure would be weird.

2. Playing a two-note slur at m. 59 ensures that the last note is played with a down bow, which naturally has more power than an up bow and results in a natural accent.

3. Playing a two-note slur and ending the piece on a down bow keeps things consistent with the violins and violas, who also end with a down bow. Everyone ends together on a strong down bow, which gives the piece both a sonic and visual sense of finality.

4. I'm the composer and I know what I'm doing.

There's plenty of room for interpretation when it comes to expression, style, and even flexibility in tempo and dynamics (within reason) but notes, rhythms, and bowing are all carefully chosen and shouldn't be messed with. Especially in this piece, which requires precise, articulate playing.

Let me know what you think – which elements of written music are open to interpretation?  And if you have your own debate about something I wrote, I'd love to hear about it and make a ruling.

Midwest Clinic 2012

I'm excited to announce that three of my compositions will be performed at the 2012 Midwest Clinic, a prestigious international conference for music educators held every December in Chicago! Groups that perform here are considered among the best programs in the country and getting selected to perform is a pretty big deal. I've had one or two performances in years past, but three is almost unheard of. I'm super-excited. 

If you're going to be at the clinic, please check out one (or all) of these performances:

Wednesday, December 19, 10:30am at Ballroom W190
The Edmond North High School Symphony Orchestra of Edmond, OK
performs Harrowland.


Wednesday, December 19, 4:00pm at ballroom W190
The Sinfonia Orchestra of Orange City, FL
performs Maharaja.

Friday, December 21, 9:00am at ballroom W190
The Douglas Anderson School of the Arts Chamber Orchestra of Jacksonville, FL
performs Samba Del Sol.

My pieces are right in the middle of each program, but these shows are always great and you'll enjoy the whole thing. Congratulations to the performers and directors for making it to Midwest and thank you for programming my music!

Gauntlet, Zydeco Two-Step, Las Mariposas Exoticas

How about a little online concert?  Let's kick things off with Gauntlet, performed by the McMath 8th Grade Orchestra of Denton, Texas.

This might be one of the best performances of Gauntlet I've ever heard. Here's why:

1. The tempo is perfect.
2. The expression is really great (especially in the "hard part": mm. 56 to 80)
3. Fantastic intonation and rhythmic precision.
4. The articulations are dead-on perfect. Listen to how short those staccato notes are. They're so dry they're practically a fire hazard. You could go out and get a bite to eat between each of those notes.

Up next is the 2012 Middle School Honors Orchestra (there's no indication of what district or city, but I've been able to narrow it to the state of Georgia) performing Zydeco Two-Step (they start playing at 1:00).

Nice job!  It's a little faster than I'm used to hearing it, but it was handled nicely and the increased tempo adds a rollicking feel to the piece.  Also, nice use of dynamics. Everyone looks like they had a good time playing this one.

Finally, here's the Cooper Middle School Orchestra (possibly of McLean, Virginia?) performing Las Mariposas Exoticas.

Delightful!  They did a good job of making it sound delicate and light.  The key to this piece is to make the arco articulations match the sound of the pizzicato and this group did a great job, especially at the ends of phrases.

Well done, all!

Maharaja Video

It looks like my new piece "Maharaja" is really taking off! I've already found a few concert videos on YouTube and I think this one is the best. It's just a little too fast, but the intonation and rhythms are flawless and check out the bass player's fancy German bow grip! I also like that the Violin II player is really getting into the groove of those finger snaps at 1:40.

Anyway, please to enjoy the Encore Strings of East Lansing, Michigan in their Fall 2011 concert:

 

Online Concert

I thought I'd program a short online concert of some of my more popular selections today. 

Up first is the Cleveland School of Arts Orchestra performing Gauntlet.  They do a lot of tuning and warming up (and it certainly pays off), but if you're interested in getting to the good stuff, skip ahead to the 1:45 mark.

 Nice job! I especially like what they did with the "hard part" (mm. 56 - 80).

Up next is the Shaw Middle School Orchestra performing Zydeco Two-Step:

Excellent!  The keyboard player did a great job.

Our final group is the Traverse City Symphony Strings - a civic orchestra - performing the heck out of Agincourt.

"Out of This World" is certainly an apt description of this group!  They're a small ensemble, but they play with all the ferocity and musicianship of a group three times their size.  I was also blown away by the production of this video - the multiple angles and great editing do the ensemble justice.  Here's my favorite shot:

"Energy" at the end! A well-marked part is a joy for a composer to see.